In a proud moment for Kashmir, Mir Arshad Hussain, a talented papier mache artist from Srinagar, has claimed first prize at the 9th International Fajr Festival of Handicrafts (Sarv-e-Simin) held in Tehran, Iran. The festival, which showcases the finest craftsmanship from around the world, saw thousands of artisans competing for the top honour. However, it was Hussain’s exquisite and intricately detailed papier mache piece that captivated the jury, earning him the coveted award.
A Global Stage for Kashmiri Craftsmanship
Hussain’s triumph not only highlights his individual brilliance but also shines a spotlight on Kashmir’s rich artistic legacy. Papier mache, known locally as kar-e-kalamdani, is a centuries-old craft deeply embedded in the region’s cultural identity. Introduced to the Valley during the reign of Sultan Zain-ul-Abidin (Budshah) in the 15th century, the art form is revered for its delicate patterns, vibrant floral motifs, and fine brushwork.
The international recognition at the Fajr Festival is a significant milestone for Kashmiri artisans, whose skills often go unnoticed beyond the Valley. For Hussain, the award is not merely a personal achievement—it is a symbol of hope for the revival and preservation of this endangered craft.
A Call for Support and Revival
Despite the international acclaim, Hussain remains grounded and resolute. Rather than basking in his newfound fame, he is using the platform to advocate for greater support from both artists and the government. He emphasizes the urgent need for policy interventions, financial aid, and better marketing opportunities to help the papier mache craft thrive in an increasingly commercialized world.
The once-flourishing art, which once adorned royal courts and elite homes, is now struggling for survival. The lack of recognition, diminishing demand, and competition from mass-produced souvenirs have threatened its existence. Hussain’s victory is a reminder of the craft’s timeless beauty and potential, urging stakeholders to invest in its preservation.
Inspiring the Next Generation
Hussain’s win is more than just a personal accolade—it is an inspiration for aspiring artisans in Kashmir and beyond. It showcases that traditional craftsmanship can still hold its ground in contemporary global art circles. His success underscores the importance of nurturing and promoting indigenous art forms, ensuring that they continue to thrive and receive the appreciation they deserve.
As Hussain returns home with his well-earned accolade, his victory resonates as a celebration of Kashmir’s artistic resilience. It is a clarion call for renewed efforts to preserve, promote, and pass down the precious legacy of papier mache to future generations.
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