Mohammad Rafiq Najar is a 65-year-old master walnut

wood carver from Naidboni in Rainawari, Srinagar, who has dedicated over four decades to the intricate traditional craft of Kashmiri walnut wood carving—a heritage art known for its detailed patterns and cultural significance.

He inherited the craft from his father, Noor Mohammad Najar, and became known for his exquisite wood panels, furniture elements, and decorative pieces that reflect Kashmir’s artistic legacy. Over the years, Rafiq has received numerous awards, including the prestigious State Award in 2011, in recognition of his skill and contribution to the craft.

Despite his accolades, Rafiq faces severe economic challenges as traditional handmade walnut wood carving struggles with dwindling demand and competition from machine-made alternatives. He now travels from house to house, taking on commissions to support his family, lamenting that the craft that once commanded respect is increasingly undervalued.

Rafiq has also trained dozens of young artisans, yet many are unable to earn sustainable livelihoods, threatening the transmission of this art to future generations. He has called for stronger government support, better market linkages, exhibitions, and platforms that could help revive interest in handmade woodwork and ensure artisans can live with dignity from their craft.

In both local and international contexts, Rafiq’s work has been appreciated, but at home he continues to fight not just for his own survival, but for the survival of Kashmir’s walnut wood carving tradition itself.