Mirza Altaf Hussain Beigh, a 66-year-old Papier Mâché Naqashi artisan from Srinagar, has devoted his life to a craft he began learning at the age of six. With nearly six decades of experience, he stands among the last Kashmiri masters who carry the traditional skill of Naqashi, an intricate art involving the hand-painting of vivid motifs and patterns on Papier Mâché objects. From vases and jewellery boxes to photo frames, decorative eggs, and wall plaques, Mirza’s work reflects a deep-rooted aesthetic heritage, drawing from centuries-old Kashmiri design traditions.

Despite his mastery and long-standing commitment to preserving this delicate craft, national recognition remains elusive. Mirza has worked tirelessly to bring attention to Papier Mâché Naqashi, yet the broader acknowledgment he seeks continues to evade him. As one of the few remaining artisans with such profound expertise, his journey highlights both the enduring beauty of the craft and the challenges faced by those striving to keep Kashmir’s artistic legacy alive.